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Biomovie - Ecocriticism and Popular Film
Chapter 1. - INTRODUCTION
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Diverse cases: Big Miracle, Moana and The 5th Wave
Chapter 2. - THE RHETORIC STRATEGIES OF BIOMOVIES
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The Ecocriticism of the Myth of Fall in Aronofsky’s Noah és Jarmusch’s Only Lovers Left Alive
Chapter 3. - THE TESTAMENT OF ECOLOGY
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Filmic representations of the interconnections of ’woman’ and ’nature’ in Forces of Nature, Armageddon, The Vicker Man, Under the Dome and Avatar.
Chapter 4. - THE MONSTROUS FEMININITY OF EARTH
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Alien Feltámadás és Solaris
Chapter 5. - GYNECOLOGY: FROM FEMINISM TOWARDS ECOFEMINISM
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Chapter 6. - ECOPSYCHOSIS: ILLNESS AS ENVIRONMENTAL RESISTANCE
Melancholia, Take Shelter, Safe
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Discipline and Punish in the “New School” of Animal Training.
Chapter 7. - WHISPERING WITH RAPTORS
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Technophilia and planetary management (Stargate Atlantisz, Interstellar, James Bond: Quantum Solace and Transcendence).
Chapter 8. - ENERGY TO THE SHIELDS!
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WHAT THE BOOK IS ABOUT?
Biomovie - Ecocriticism and popular film
The book Biomovie: Ecocriticism and Popular Film introduces the reader to the ecocritical approach of popular, mostly 21th century Hollywood films. The eponymous term ecocriticism refers to the environmentally conscious, biocentric trend of cultural criticism that provides the analytical framework for the interpretation of the movies mentioned in the book, which I hope may incite the reader/viewer to help in making the world more environmentally friendly and more sustainable place after coming out of the cinema complex or switching off the TV.
WHAT IS ECOCRITICISM?
No, it is not a term for the rationalized expression of our revulsion for ecology.
Nor it is (only) an assault directed on the political rhetorics of greenwashing.
And it is not the general working method of an environmentally conscious cultural critic, who switches off the television and the computer when she reads Shakespeare, and buys books only when they are printed on acid-free paper... That is all OK, but ecocriticism is something more special.
Ecocriticism is the study of the relationship between cultural products and the environment, which became an academic discipline only in the 1990s.
Abstracts and short paragraphs from
Biomovie: Ecocriticism and Popular Films.
In the following you can read a summary and some citations from each Chapter of the book, from which you can see what it is about.

Chapter 1. - INTRODUCTION
The book Biomovie. Ecocriticism and Popular Film introduces the Reader to the ecocritical approach of popular, mostly 21th century Hollywood films.

Chapter 2. - THE RHETORIC STRATEGIES OF BIOMOVIES
Diverse cases: Big Miracle, Moana and The 5th Wave Abstract Download full Chapter at the bottom of the page EElitist...

Chapter 3. - THE TESTAMENT OF ECOLOGY
The Ecocriticism of the Myth of Fall in Aronofsky’s Noah és Jarmusch’s Only Lovers Left Alive Abstract The two movies...

Chapter 4. - THE MONSTROUS FEMININITY OF EARTH
Filmic representations of the interconnections of ’woman’ and ’nature’ in Forces of Nature, Armageddon, The Vicker Man, Under the Dome and Avatar.

Chapter 5. - GYNECOLOGY: FROM FEMINISM TOWARDS ECOFEMINISM
The chapter analyses PETA advertisement strategies and two films that associate the treatment of animals and animal experiments with the scientific and mainstream cultural concept of women in the Western World.

Chapter 6. - ECOPSYCHOSIS: ILLNESS AS ENVIRONMENTAL RESISTANCE
his Chapter analyzes films that associate certain mental ilnesses, depression, scyzophrenia with environmental disaster although in different ways and extent.

Chapter 7. - WHISPERING WITH RAPTORS
There have benne serious changes in the treatment of animals in the last couple of years.

Chapter 8. - ENERGY TO THE SHIELDS!
The threat of ecological crisis and the theme of environmental problems appears in more and more science fiction films around the millennia, often interconnected with the theme of peak oil.
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Why, how and how long have our future-related hopes and fears been concentrated around the visual representation of our relationship to our environment? Is the rhetorical mode of representation typical of blockbuster feature films able to induce active commitment towards a sustainable world? Since “climate denial” is a defense mechanism, it would seem logical to formulate a hypothesis according to which Hollywood films rather offer the opportunity for narcissistic ignorance towards climate change and ecological crisis in general. However, it is also possible that popular films are effective exactly where open environmental didacticism is inappropriate. The films analyzed in the book Biomovie do not put into operation strategies of climate change denial, quite the contrary, they successfully break through the “defense lines” of the audience, crawl under our skin, and slowly transform us.

What is ecocriticism?
No, it is not a term for the rationalized expression of our revulsion for ecology. Ecocriticism is the study of the relationship between cultural products and the environment, which became an academic discipline only in the 1990s.

The author: Annamária Hódosy PhD.
Dr. Annamária Hódosy – Senior Associate Professor – University of Szeged – Faculty of Arts, Department of Visual Culture and Literary Theory